Leaping and tumbling, telling tales and miming. These are among the most elemental entertainments.
The presence of Jugglers and Acrobats is perhaps most evocative of the Medieval Fair. There are many surviving documents that show us the variety of physical performers, their displays, as well as being simply amusing or astounding were often incorporated as elements in stories, both moral and comic. The same period sees the appearance of the Court Jester: part juggler and acrobat, part sage. By not using language as a primary vehicle for entertainment, the performers were able to communicate in an age where linguistic difference was marked both by broad languages and distinct local dialects.
Most ropedancers came from the Mediterranean. High wire walkers were already an attraction in the Circus Maximus in ancient Rome. Since the 17th century they formed troupes. Rope-dancing was dangerous. Some spectators eagerly awaited the next accident.
A juggler in full action. The owner of the attraction behind him knew what a panorama was but not how to spell it.
A village fair in the 17th century portrayed byPieter Maes.
Acrobats, balancers, contortionists and tightrope walkers in full action. There’s also a harlequin. The checked pattern of his suit is still in vogue among comedians, quizmasters and car dealers.
Acrobats specialize in unnatural poses.
Circus-acts.